{"id":2268,"date":"2020-04-13T20:03:41","date_gmt":"2020-04-13T18:03:41","guid":{"rendered":"https:\/\/liuto-forte.de\/welcome\/lute-and-guitar-a-dilemma\/"},"modified":"2020-09-17T10:12:54","modified_gmt":"2020-09-17T08:12:54","slug":"lute-and-guitar-a-dilemma","status":"publish","type":"page","link":"https:\/\/liuto-forte.de\/en\/welcome\/lute-and-guitar-a-dilemma\/","title":{"rendered":"Lute and Guitar \u2013 a Dilemma?"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22&#8243;][et_pb_row _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; column_structure=&#8221;1_4,3_4&#8243;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_sidebar area=&#8221;et_pb_widget_area_6&#8243; admin_label=&#8221;Seitenleiste: \u00dcber den LF&#8221; _builder_version=&#8221;4.4.3&#8243; hover_enabled=&#8221;0&#8243; saved_tabs=&#8221;all&#8221;]<br \/>\n[\/et_pb_sidebar][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Laute und Gitarre \u2013 ein Dilemma?&#8221; _builder_version=&#8221;3.27.4&#8243;]<\/p>\n<h1>Lute and Guitar \u2013 a Dilemma?<\/h1>\n<p>The Spanish guitar is one of the most successful instruments of the 20th century.<sup>1<\/sup> But in spite of all its popularity, it did not manage to fill the space left by the lute\u2019s disappearance from the post-baroque ensemble. Andr\u00e9s Segovia\u2019s dream of the guitar one day taking its place on equal terms with the cello and bassoon in the contemporary orchestra has not been realised.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2148\" src=\"https:\/\/liuto-forte.de\/wp-content\/uploads\/2019\/01\/Carlo-Hilsdorf.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/liuto-forte.de\/wp-content\/uploads\/2019\/01\/Carlo-Hilsdorf.jpg 640w, https:\/\/liuto-forte.de\/wp-content\/uploads\/2019\/01\/Carlo-Hilsdorf-300x225.jpg 300w, https:\/\/liuto-forte.de\/wp-content\/uploads\/2019\/01\/Carlo-Hilsdorf-510x382.jpg 510w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>Even the reanimation of the historical lute in recent years has not had the fortune \u2013 except in the protected realm of Early Music \u2013 to reverse the cruel verdict of music history, or to achieve a broad acceptance at all comparable with that of the Spanish guitar. The lute instead comes up against those same acoustical boundaries afflicting it in the 18th century.<\/p>\n<p>The re-awakened interest in historical performance on instruments of the lute family, bearing in mind the modest numbers of its devotees, can hardly be made responsible for a full triumph being finally denied the Spanish guitar. The reason can rather be found in the guitar\u2019s own lack of success at establishing itself as an instrument in chamber music. Nevertheless, the unrecompensed \u201crestitution\u201d of much of the lute repertoire, once particularly cultivated by guitarists, has definitely undermined the guitar\u2019s prominence.<\/p>\n<p style=\"padding-left: 30px;\"><sup>1 <\/sup>It proves difficult to find the correct designation for the instrument generally called the classical guitar, or the concert guitar. In the context of music history, the term \u201cClassical Guitar\u201d would rather apply to the instrument of the Biedermeier period, the early Romantic guitar. The label \u201cConcert Guitar\u201d on the other hand, which came into vogue in the 1920s, was due to the need to mark its distinction from the mass-produced folk guitar, used in the main for song accompaniment. Considering that today\u2019s guitar owes its form and its essentials of construction to the Spanish guitar builders of the 19th century, it will be here called the Spanish guitar throughout.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lute and Guitar \u2013 a Dilemma? The Spanish guitar is one of the most successful instruments of the 20th century.1 But in spite of all its popularity, it did not manage to fill the space left by the lute\u2019s disappearance from the post-baroque ensemble. Andr\u00e9s Segovia\u2019s dream of the guitar one day taking its place [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1848,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2268","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/2268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/comments?post=2268"}],"version-history":[{"count":2,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/2268\/revisions"}],"predecessor-version":[{"id":2659,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/2268\/revisions\/2659"}],"up":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/1848"}],"wp:attachment":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/media?parent=2268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}