{"id":2335,"date":"2020-04-13T20:56:12","date_gmt":"2020-04-13T18:56:12","guid":{"rendered":"https:\/\/liuto-forte.de\/welcome\/lute-and-guitar-a-dilemma\/sound\/"},"modified":"2020-09-17T10:05:21","modified_gmt":"2020-09-17T08:05:21","slug":"sound","status":"publish","type":"page","link":"https:\/\/liuto-forte.de\/en\/welcome\/lute-and-guitar-a-dilemma\/sound\/","title":{"rendered":"Sound"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22&#8243;][et_pb_row _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; column_structure=&#8221;1_4,3_4&#8243;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_sidebar area=&#8221;et_pb_widget_area_6&#8243; admin_label=&#8221;Seitenleiste: \u00dcber den LF&#8221; _builder_version=&#8221;4.4.3&#8243; hover_enabled=&#8221;0&#8243; saved_tabs=&#8221;all&#8221;][\/et_pb_sidebar][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Klang&#8221; _builder_version=&#8221;3.27.4&#8243;]<\/p>\n<div class=\"inh_2_re\">\n<h1>Sound<\/h1>\n<h2>Does the Liuto forte sound like an historical Lute with single strings?<\/h2>\n<p>Anyone simply removing a string from each of the courses on an historical lute is in for a disappointing revelation of what sound remains. Single strings require a considerably higher tension, even on ancient lutes like the theorbo, chitarrone or archlute. The sound of these instruments is bright and penetrating, certainly when played with fingernails, which is eminently suited to continuo playing. Up close it has a \u201craw and rough\u201d effect, as Sylvius Leopold Weiss remarks in a letter to Johann Mattheson.<sup>1<\/sup> Limited by the belly construction of the historical lute, they lack both warmth and sustain &#8211; indispensable quality of a solo instrument.<sup>2<\/sup><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2338 alignnone\" src=\"https:\/\/liuto-forte.de\/wp-content\/uploads\/2019\/02\/13-6064.jpg\" alt=\"\" width=\"570\" height=\"448\" srcset=\"https:\/\/liuto-forte.de\/wp-content\/uploads\/2019\/02\/13-6064.jpg 570w, https:\/\/liuto-forte.de\/wp-content\/uploads\/2019\/02\/13-6064-300x236.jpg 300w\" sizes=\"(max-width: 570px) 100vw, 570px\" \/><\/p>\n<p class=\"fn\" style=\"padding-left: 30px;\"><sup id=\"fn\">1<\/sup> \u201cR\u00fcde\u201c and \u201caspern\u201c. See Johann Mattheson, Der neue G\u00f6ttingsche &#8230; Ephorus, wegen der Kirchen-Musik &#8230; mit angeh\u00e4ngtem Lauten-Material&#8230;, Hamburg 1727, pg. 118.<\/p>\n<p class=\"fn\" style=\"padding-left: 30px;\"><sup id=\"fn\">2<\/sup> Sylvius Leopold Weiss adds in his letter to Mattheson that theorbo and archlute are \u201cquite useless for galanterie pieces\u201c, that is solo works.<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sound Does the Liuto forte sound like an historical Lute with single strings? Anyone simply removing a string from each of the courses on an historical lute is in for a disappointing revelation of what sound remains. Single strings require a considerably higher tension, even on ancient lutes like the theorbo, chitarrone or archlute. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2268,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2335","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/2335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/comments?post=2335"}],"version-history":[{"count":2,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/2335\/revisions"}],"predecessor-version":[{"id":2644,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/2335\/revisions\/2644"}],"up":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/pages\/2268"}],"wp:attachment":[{"href":"https:\/\/liuto-forte.de\/en\/wp-json\/wp\/v2\/media?parent=2335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}