{"id":4395,"date":"2023-02-10T13:30:00","date_gmt":"2023-02-10T12:30:00","guid":{"rendered":"https:\/\/liuto-forte.de\/?page_id=4395"},"modified":"2023-02-22T08:24:33","modified_gmt":"2023-02-22T07:24:33","slug":"klang","status":"publish","type":"page","link":"https:\/\/liuto-forte.de\/fr\/willkommen\/laute-und-gitarre-ein-dilemma\/klang\/","title":{"rendered":"Klang"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_sidebar area=\u00a0\u00bbet_pb_widget_area_3″ admin_label=\u00a0\u00bbSeitenleiste: \u00dcber den LF\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_sidebar][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbKlang\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.0″ hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

\n

Sonorit\u00e9<\/h1>\n

Le Liuto forte sonne-t-il comme un luth historique tendu de cordes simples ?<\/h2>\n

Celui qui retire \u00e0 un luth \u00e0 cordes doubles de construction historique chaque deuxi\u00e8me corde sera d\u00e9\u00e7u de la sonorit\u00e9 restante. Les cordes simples n\u00e9cessitent une tension nettement sup\u00e9rieure, m\u00eame sur des instruments historiques comme le th\u00e9orbe, l\u2019archiluth ou le galichon. Le timbre de tels instruments, s\u2019ils sont jou\u00e9s avec les ongles, est clair et per\u00e7ant, ce qui les rend tout \u00e0 fait aptes \u00e0 l\u2019ex\u00e9cution de continuo. Toutefois, de pr\u00e8s, il para\u00eet \u00ab rude \u00bb et \u00ab rauque \u00bb, comme le notait d\u00e9j\u00e0 Sylvius L\u00e9opold Weiss (1684-1750) dans une lettre \u00e0 Johann Mattheson.1<\/sup> En raison des limites impos\u00e9es par la construction de la table du luth historique, il manque \u00e0 ces instruments la chaleur et le sustain, qualit\u00e9s pourtant indispensables d\u2019un instrument soliste.2<\/sup><\/p>\n

\"\"<\/p>\n

1<\/sup> Johann Mattheson : Der neue G\u00f6ttingische … Ephorus, wegen der Kirchen-Music … mit angeh\u00e4ngtem Lauten-Memorial …, Hambourg 1727, p. 118.<\/p>\n

2<\/sup> Dans sa lettre \u00e0 Mattheson, Sylvius L\u00e9opold Weiss ajoute que le th\u00e9orbe et l\u2019archiluth \u00ab ne conviennent pas du tout aux pi\u00e8ces de galanterie \u00bb (c\u2019est-\u00e0-dire au jeu solo).<\/p>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Sonorit\u00e9 Le Liuto forte sonne-t-il comme un luth historique tendu de cordes simples ? Celui qui retire \u00e0 un luth \u00e0 cordes doubles de construction historique chaque deuxi\u00e8me corde sera d\u00e9\u00e7u de la sonorit\u00e9 restante. Les cordes simples n\u00e9cessitent une tension nettement sup\u00e9rieure, m\u00eame sur des instruments historiques comme le th\u00e9orbe, l\u2019archiluth ou le galichon. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4471,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

[et_pb_section bb_built=\"1\"][et_pb_row][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Seitenleiste: \u00dcber den LF\" _builder_version=\"3.19.11\" area=\"et_pb_widget_area_3\" saved_tabs=\"all\" global_module=\"994\" \/][\/et_pb_column][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Klang\" _builder_version=\"3.19.11\"]<\/p>

Klang<\/h1>

Klingt ein Liuto forte wie eine mit Einzelsaiten bezogene historische Laute?<\/h2>

Wer von einer ch\u00f6rigen Laute in historischer Bauweise nur jeweils die zweite Saite entfernt, wird hinsichtlich des verbleibenden Klanges eine Entt\u00e4uschung erleben. Einzelsaiten erfordern auch auf historischen Lauteninstrumenten wie Theorbe, Arciliuto oder Gallichon eine deutlich h\u00f6here Spannung. Der Klang solcher Instrumente ist, zumal wenn sie mit N\u00e4geln gespielt werden, hell und durchdringend, was sie f\u00fcr das Continuo-Spiel vorz\u00fcglich geeignet macht. In der N\u00e4he allerdings wirkt er \u2013 wie schon Sylvius Leopold Wei\u00df (1684-1750) in seinem Brief an Johann Mattheson bemerkt \u2013 \u201er\u00fcde\u201d und \u201easpern\u201d (rauh).1<\/sup>Bedingt durch die Deckenkonstruktion der historischen Laute fehlt es ihnen sowohl an W\u00e4rme wie an Sustain \u2013 unverzichtbaren Qualit\u00e4ten eines Soloinstruments.2<\/sup><\/p>

\"\"<\/p>

1<\/sup>\u00a0Johann Mattheson: Der neue G\u00f6ttingische ... Ephorus, wegen der Kirchen-Music ... mit angeh\u00e4ngtem Lauten-Memorial ..., Hamburg 1727, S. 118.<\/p>

2<\/sup>\u00a0Sylvius Leopold Wei\u00df merkt in seinem Brief an Mattheson dar\u00fcber hinaus an, da\u00df die Theorbe und der Arciliuto \u201ezu Galanterie=St\u00fccken (d.h. zum Solospiel) gar nicht zu gebrauchen\u201d sind.<\/p><\/div>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-4395","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/pages\/4395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/comments?post=4395"}],"version-history":[{"count":4,"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/pages\/4395\/revisions"}],"predecessor-version":[{"id":4728,"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/pages\/4395\/revisions\/4728"}],"up":[{"embeddable":true,"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/pages\/4471"}],"wp:attachment":[{"href":"https:\/\/liuto-forte.de\/fr\/wp-json\/wp\/v2\/media?parent=4395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}